Friday, April 23, 2010

Sucking the fun out of language

Last week a friend (thanks, Bob) sent me this link to an April 19 New York Times interview with the physicist Sean Carroll, whose new book From Eternity to Here explores the physics of time. I found his comments on time interesting; more about that later, perhaps. What I want to focus on first is his complaint about the unpopularity of physics:
Whenever you say you’re a physicist, there’s a certain fraction of people who immediately go, “Oh, I hated physics in high school.” That’s because of the terrible influence of high school physics. Because of it, most people think physics is all about inclined planes and force-vector diagrams. One of the tragedies of our educational system is that we’ve taken this incredibly interesting subject — how the universe works — and made it boring.
My impression, after teaching linguistics for over twenty years, is that this pretty much applies to the study of language as well. People spend years in the public education system having the fun and wonder of language sucked out of them by "language arts," "English," and "English composition" teachers. These teachers do this by focusing on things that really have little to do with language, such as spelling, punctuation, "correct" grammar, and so on. The result is that when they arrive at college, students have been so thoroughly mystified (in the Marxist sense) about the nature of language that they have real problems approaching the subject from the perspective of scientific linguistics.

Here are a few ways that this mystification manifests itself:
  • Confusion of language with writing. We live in a hyperliterate society. So, for most of their school careers, what students learn about "language" is really about the writing system. They carry this training into linguistics by insisting on referring to symbols of the International Phonetic Alphabet (IPA), such as [p] and [a], as "letters." This leads them to say that the "first letter" in the English word pot ([pʰɑt] in IPA)  is aspirated. For some, taking points off never helps.
  • Confusion about parts of speech. The definite and indefinite determiners (the, a) are "adjectives"; the my in my homework is a "possessive adjective" (actually, it's also a determiner); etc.
  • Confusion of grammar with social rules. The classic example here is, of course, the "don't use double negatives" rule, which is a rule about social acceptability, like not farting in public, and has absolutely nothing to do with English grammar as constructed by linguists.
  • Confusion about the meaning of linguistic diversity. Language arts programs focus on creating unity out of the natural diversity of human language by molding students into producers of some idealized, homogenized version of "standard" English. Instead of seeing diversity as one aspect of human creativity, students come to believe that non-standard usage results from lack of education, mental deficiency, laziness, etc.
These examples of mystification, and others, show up every semester in my linguistics classes. What does it mean? Apparently, there is little or no change, no progress toward enlightenment, in the way children are taught about the nature of language in the K-12 system.

One might conclude that the function of language arts education (perhaps most education) is the assembly-line production of interchangeable, unimaginative, and obedient carbon units, prepared to serve a predatory capitalist system that works best when its victims think that important elements of their world, like language, cannot be investigated and interpreted except by the standards of the Masters.

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